Name, Average duration. 1, For the left hand, 2, Legato, 3, Fifths to Thirds, 4, Ornaments, 5, Melody, Title: Corigliano ETUDE FANTASY (for piano), Author: ScoresOnDemand, Name: Corigliano ETUDE FANTASY (for piano), Length: 6 pages, Page: 1, Published. Documents Similar To Corigliano – Etude Fantasy. Sciarrino-Quaderno Di Strada (Baritone & Large Ens). Uploaded by. Roberto Nieva Velasco · Gulda – Aria.
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Etude Fantasy (Corigliano) – from CDA – Hyperion Records – MP3 and Lossless downloads
The “Legato” etude, which tests the pianist’s ability to play at a quiet yet sustained melodic line while the two hands descend the keyboard and cross each other frequently. This etude reaches a climax in which both the row and the thematic germ are heard together, etuee ends as the right hand enters, high on the keyboard, playing a pianissimo, slow chromatic descent which introduces the next etude—a study in legato eture.
Stephen Hough seems to have it all—blazing technique, real artistic vision, an adventurous curiosity, and a deft style as an annotator.
Fern Hill harp, piano, and strings Corigliano etuee up a playful, frothy scherzo-like movement here, out of which an ebullient melody eventually emerges, all without straying too far from the basic device. View a full description of this dissertation.
fantast The third etude, a study on a two-note figure, follows — a fleet development on the simple pattern of a fifth fingers one and five contracting to a third fingers two and four. Poem in October version for chamber orchestra ; revised For guidance see Citations, Rights, Re-Use.
Search Inside This dissertation can be searched. It is a work of tremendous formal unity, as well as being a dazzling display piece for cirigliano performer with not a few treacherous stretches of vertiginous virtuosity! A Black November Turkey for chorus Troubadours Variations for Guitar and Chamber Orchestra Other than that, these three improvisations are just that.
Description John Corigliano b. A Dylan Thomas Trilogy ; revised The work ends quietly with the opening motto heard in retrograde accompanying a mournful two-note ostinato.
The Solo Piano Works of John Corigliano: Etude Fantasy (1976) and Fantasia on an Ostinato (1985)
Gazebo Dances for orchestra Trills, grace notes, tremolos, glissandos and roulades ornament the opening material Etude 1 and then develop the first four notes of the third etude into a frenetically charged scherzando where the four fingers of the left hand softly play a low cluster of notes like a distant drum as the thumb alternates with the right hand in rapid barbaric thrusts.
O God of Love: While today’s computers make it easier, I still use a 0. Basic information for referencing this web page.
The third etude follows—a fleet development on the simple pattern of a fifth fingers one and five contracting to a third fingers two and four.
The fourth etude is a study of ornaments. Mark Baechle was tasked with listening to what I played, and then trying to figure out how to put it into measures that made sense. Seven Poems of Bob Dylan voice s and piano Prelude: The work ends with a statement of the tone row in reverse, accompanying a quiet two-note ostinato. Etude Fantasy For piano ——————————————————————————————————————————————————— First performed October 9,by James Tocco, piano, at the Fantaxy Center, Washington, DC ——————————————————————————————————————————————————— Listen to a sound clip order music from www.
But I had to get serious and learn notation and other musical skills. This was not to be a prepared piano in the John Cage sense, with objects inserted between the strings. Results may vary based on the legibility of text within the document. The following text was automatically extracted from the image on this page using optical character recognition software: Writing music down is a very laborious process.
Item Type Thesis or Dissertation. Physical Description vii, 95 leaves: It was the same sound; it was simply a matter of adding another player. I couldn’t see what made a second piano so important. They Are Always With Me: